Editor, revised

I’ve spent significantly less time staring at a computer screen the past two weekends. That’s because I’ve been taking part in an outdoor rock-climbing course through the Spokane Mountaineers.

My forearms and fingertips hurt.

In honor of my belief that we all need to play and sometimes rope and rock feel nicer under your fingers than a keyboard, here’s a video from brightcove.tv.

Synopsis: A guy with a camera walks the precarious Camino del Rey in Spain en route to El Chorro climbing area. This will give you goosebumps. Notice, too, how the cameraman doesn’t bother clipping into the safety line like so many of the people he passes.

Update: If you’re not seeing the video, brightcove.tv appears to be undergoing renovations. Please check back later.

We’ve been seriously mixing our mediums at the Spokesman-Review lately. We’re on the air. As in on the radio. And the broadcasts are coming from our newsroom. Check it out here. Read Editor Steve Smith’s announcement here.

We’ve been at it for about seven weeks, by my count, and I think editors, reporters and multimedia people have made strides in incorporating audio collection into our routines.

Regardless of what you think about newspapers doing radio, the push for multimedia in newsrooms makes audio collection and editing valuable skills. At a meeting yesterday, radio reporter/announcer Dan Mitchinson and multimedia guru Colin Mulvany led a discussion on good audio habits. Although we talked mostly about sound destined for the radio, these tips are important for video productions as well.

• Get your recorder/mic as close as possible to the source.
• Learn to listen: If you’re indoors, watch out for electrical hums or fans. If you’re outside, be aware of traffic noise, planes passing overhead, etc. Try to find a place where such background annoyances are minimal.
• At the same time, remember to get natural sound from your environment. This too can help tell the story. (Our editorial page editor raised a valid ethical concern: Don’t use these natural sounds in ways that mislead. For instance, don’t overlay sounds from a park with an interview conducted indoors.)
• Check those recording levels before you start interviewing. If you need to adjust, don’t do it while your source is in the middle of a sentence.
• It’s better to hold your mic a bit to the side of the mouth that’s talking. This helps avoid popping P sounds.
• Use headphones to monitor the audio you’re receiving. It may seem weird to talk to a source while wearing headphones, so just explain why you’re doing it.
• Just as some people are afraid of TV cameras, others are afraid of mics and the way their voices sound. Use humor and self-deprecation to warm them up. You probably don’t like the way your recorded voice sounds either.

We covered other ground germane to our particular operations, but I won’t go into that here. If you’re looking for more tips, check out Colin Mulvany’s blog. He’s been doing this a lot longer than I have.